Excessively Happy Birthday to a Super Composer – Santhosh Narayanan

 Excessively Happy Birthday to a Super Composer – Santhosh Narayanan

Tamil Cinema has been achieving new statures with its accounts, bearing and acting. Be that as it may, one progressively vital part of Kollywood has improved. It is none other than the music. In a period where music authors need to contend intensely to remain in the market, one man has kept on demonstrating his value and is showing signs of improvement with every motion picture. In spite of having been in the business for just 7 years, Santosh Narayanan’s development is remarkable and motivating to up and coming music executives. From debutant entertainers to the top stars, he’s worked with them all.

In the wake of completing a degree in B.E. Software engineering and Engineering from Trichy, one can just envision the endeavors and mettle it would have taken to move professions. Santosh Narayanan first filled in as an account designer, software engineer and arranger, before getting his huge break as a music writer. From that point on he has been relentless. Regardless of whether its tune, gaana or kuthu, this man has got all traps clinched. Beginning off with the film ‘Attakathi’ in 2012, he conveyed two appealing hits ‘Aadi Pona Aavani’ and ‘Nadukadalula Kappala’ which were profoundly valued and seen as an arrival of gaana melodies into Tamil film. One can make sure that these melodies will dependably be recollected. Don’t only the names make us murmur them?

His music for his following movies Pizza and Soodhu Kavvum likewise engaged the majority. The backgorund score for Pizza and the melodies of Soodhu Kavvum assumed a tremendous job in the achievement of the movies. His beaty melody ‘Kasu Panam’ sung by Gaana Bala, developed as a major hit in the year 2013. It is anything but an amazement subsequently that inside his initial couple of endeavors, Santosh Narayanan started to pack all around desrved grants.

In 2014 and 2015, the outstanding arranger at that point proceeded to work in movies, for example, ‘Cuckoo’, ‘Jigarthanda’, ‘Madras’ and ’36 Vayathinile’, having a lot of tunes of different classifications. Regardless of whether its ‘Naan Nee’ from ‘Madras’, ‘Manasala Soora Kaathey’ from ‘Cuckoo’ ‘Kannamma’ from ‘Jigarthanda’, or ‘Raasathi’ from ’36 Vayathinile’, his music had a crisp quality to it. With new films each year, tunes continue pouring in, however even following 5 years, these melodies keep on playing as often as possible on TV, beacuse actually he has every one of us snared.

2016 rose as a major year for the author who worked in 7 films. With hit collections in the movies ‘Irudhi Suttru’, ‘Manithan’ and ‘Kodi’, his popularity and fan following expanded incredibly. At that point came the chance to work with Superstar Rajnikanth in ‘Kabali’, one that Santosh Narayanan pulled off with total style with his tunes, for example, ‘Neruppu Da’ and ‘Maya Nadhi’. With another super accomplishment in 2017 with ‘Thangachi’ and ‘Enga Veetu Kuthuvilakkey’ in ‘Meyaadha Maan’, the arranger proceeded with his fantasy run.

2018 likewise demonstrated to be an incredible year for the excessively gifted arranger who conveyed hits, for example, ‘Thanga Sela’ from Kaala, and ‘Ennadi Maayavi Nee’ and ‘Goindhammavaala’ from ‘Vada Chennai.’ It is a major accomplishment to make motion picture for a quiet film without any exchanges, and nobody could have shown improvement over Santosh Narayanan himself. His music set the total mind-set for the film ‘Mercury’, raising the review understanding and making us hop in our seats sometimes. Presently in 2019, we anticipate the organizations for his most recent movies, A1 and Gypsy, which dependent on his past record, are probably going to make certain shot hits.

What does set Santosh Narayanan separated from his counterparts however? It could be his kickass BGMs we heard in ‘Kabali’, ‘Bairavaa’ and ‘Soodhu Kavuum’. Or on the other hand his dissolve commendable tunes from ‘Irudhi Suttru’, ‘Madras’, ‘Manithan’ and ‘Kodi’. Or on the other hand his proficient method for coordinating a story and the music so well, we feel it’s simply intended to be. One thing we can see is that he’s keeping his fans cheerful, and by the day’s end, that is the thing that tallies the most.

On this May fifteenth, 2019 as large enormous enthusiasts of his music, we wish the flexible, sema talented and skilled music writer Santosh Narayanan, an extremely cheerful birthday, and loads of karma in the entirety of his up and coming endeavors.


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